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The History of Don Quixote, Volume 2, Part 40 by Miguel de Cervantes Saavedra
page 5 of 28 (17%)
timbrels, and rebecks! And then if among all these different sorts of
music that of the albogues is heard, almost all the pastoral instruments
will be there."

"What are albogues?" asked Sancho, "for I never in my life heard tell of
them or saw them."

"Albogues," said Don Quixote, "are brass plates like candlesticks that
struck against one another on the hollow side make a noise which, if not
very pleasing or harmonious, is not disagreeable and accords very well
with the rude notes of the bagpipe and tabor. The word albogue is
Morisco, as are all those in our Spanish tongue that begin with al; for
example, almohaza, almorzar, alhombra, alguacil, alhucema, almacen,
alcancia, and others of the same sort, of which there are not many more;
our language has only three that are Morisco and end in i, which are
borcegui, zaquizami, and maravedi. Alheli and alfaqui are seen to be
Arabic, as well by the al at the beginning as by the they end with. I
mention this incidentally, the chance allusion to albogues having
reminded me of it; and it will be of great assistance to us in the
perfect practice of this calling that I am something of a poet, as thou
knowest, and that besides the bachelor Samson Carrasco is an accomplished
one. Of the curate I say nothing; but I will wager he has some spice of
the poet in him, and no doubt Master Nicholas too, for all barbers, or
most of them, are guitar players and stringers of verses. I will bewail
my separation; thou shalt glorify thyself as a constant lover; the
shepherd Carrascon will figure as a rejected one, and the curate
Curiambro as whatever may please him best; and so all will go as gaily as
heart could wish."

To this Sancho made answer, "I am so unlucky, senor, that I'm afraid the
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