The History of Don Quixote, Volume 2, Part 40 by Miguel de Cervantes Saavedra
page 5 of 28 (17%)
page 5 of 28 (17%)
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timbrels, and rebecks! And then if among all these different sorts of
music that of the albogues is heard, almost all the pastoral instruments will be there." "What are albogues?" asked Sancho, "for I never in my life heard tell of them or saw them." "Albogues," said Don Quixote, "are brass plates like candlesticks that struck against one another on the hollow side make a noise which, if not very pleasing or harmonious, is not disagreeable and accords very well with the rude notes of the bagpipe and tabor. The word albogue is Morisco, as are all those in our Spanish tongue that begin with al; for example, almohaza, almorzar, alhombra, alguacil, alhucema, almacen, alcancia, and others of the same sort, of which there are not many more; our language has only three that are Morisco and end in i, which are borcegui, zaquizami, and maravedi. Alheli and alfaqui are seen to be Arabic, as well by the al at the beginning as by the they end with. I mention this incidentally, the chance allusion to albogues having reminded me of it; and it will be of great assistance to us in the perfect practice of this calling that I am something of a poet, as thou knowest, and that besides the bachelor Samson Carrasco is an accomplished one. Of the curate I say nothing; but I will wager he has some spice of the poet in him, and no doubt Master Nicholas too, for all barbers, or most of them, are guitar players and stringers of verses. I will bewail my separation; thou shalt glorify thyself as a constant lover; the shepherd Carrascon will figure as a rejected one, and the curate Curiambro as whatever may please him best; and so all will go as gaily as heart could wish." To this Sancho made answer, "I am so unlucky, senor, that I'm afraid the |
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