The Art of the Story-Teller by Marie L. Shedlock
page 53 of 264 (20%)
page 53 of 264 (20%)
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A good boy is dutiful to his Father and Mother, obedient to his master
and loving to his playfellows. He is diligent in learning his book and takes a pleasure in improving himself in everything that is worthy of praise. He rises early in the morning, makes himself clean and decent, and says his prayers. He loves to hear good advice, is thankful to those who give it and always follows it. He never swears[17] or calls names or uses ill words to companions. He is never peevish and fretful, always cheerful and good-tempered. 7. _Stories of exaggerated and coarse fun_. In the chapter on the positive side of this subject I shall speak more in detail of the educational value of robust and virile representation of fun and of sheer nonsense, but as a preparation to these statements, I should like to strike a note of warning against the element of exaggerated and coarse fun being encouraged in our school stories, partly, because of the lack of humor in such presentations (a natural product of stifling imagination) and partly, because the strain of the abnormal has the same effect as the too frequent use of the melodramatic. In an article in _Macmillans's Magazine_, December, 1869, Miss Yonge writes: "A taste for buffoonery is much to be discouraged, an exclusive taste for extravagance most unwholesome and even perverting. It becomes destructive of reverence and soon degenerates into coarseness. It permits nothing poetical or imaginative, nothing sweet or pathetic to exist, and there is a certain self-satisfaction and superiority in making game of what others regard with enthusiasm and sentiment which absolutely bars the way against a higher or softer tone." |
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