The Art of the Story-Teller by Marie L. Shedlock
page 54 of 264 (20%)
page 54 of 264 (20%)
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Although these words were written nearly half a century ago, they are so specially applicable today that they seem quite "up-to-date." Indeed, I think they will hold equally good fifty years hence. In spite of a strong taste on the part of children for what is ugly and brutal, I am sure that we ought to eliminate this element as far as possible from the school stories, especially among poor children. Not because I think children should be protected from all knowledge of evil, but because so much of this knowledge comes into their life outside school that we can well afford to ignore it during school hours. At the same time, however, as I shall show by example when I come to the positive side, it would be well to show children by story illustration the difference between brutal ugliness without anything to redeem it and surface ugliness, which may be only a veil over the beauty that lies underneath. It might be possible, for instance, to show children the difference between the real ugliness in the priest's face of the "Laocoon" group, because of the motive of courage and endurance behind the suffering. Many stories in everyday life could be found to illustrate this. 8. _Stories of infant piety and death-bed scenes_. The stories for children forty years ago contained much of this element, and the following examples will illustrate this point: Notes from poems written by a child between six and eight years of age, by name Philip Freeman, afterwards Archdeacon of Exeter: Poor Robin, thou canst fly no more, |
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