The Art of the Story-Teller by Marie L. Shedlock
page 57 of 264 (21%)
page 57 of 264 (21%)
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her sister, to be read on Sundays,' and was dated 1828. The accounts
are taken from a work on "Piety Promoted," and all of them begin with unusual piety in early youth and end with the death-bed of the little paragon, and his or her dying words." 9. _Stories containing a mixture of fairy tale and science_. By this combination one loses what is essential to each, namely, the fantastic on the one side, and accuracy on the other. The true fairy tale should be unhampered by any compromise of probability even; the scientific representation should be sufficiently marvelous along its own lines to need no supernatural aid. Both appeal to the imagination in different ways. As an exception to this kind of mixture, I should quote "The Honey Bee, and Other Stories," translated from the Danish of Evald by C. G. Moore Smith. There is a certain robustness in these stories dealing with the inexorable laws of Nature. Some of them will appear hard to the child but they will be of interest to all teachers. Perhaps the worst element in the choice of stories is that which insists upon the moral detaching itself and explaining the story. In "Alice in Wonderland" the Duchess says, "'And the moral of _that_ is: Take care of the sense and the sounds will take care of themselves.' "How fond she is of finding morals in things," thought Alice to herself." (This gives the point of view of the child.) The following is a case in point, found in a rare old print in the British Museum: |
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