paid for it,--nor for any number of letters on some point personal
to himself. I have since written sets of letters to newspapers, and
have been paid for them; but then I have bargained for a price. On
this occasion I had hopes; but they never ran high, and I was not
much disappointed. I have no copy now of those letters, and could
not refer to them without much trouble; nor do I remember what I
said. But I know that I did my best in writing them.

When my historical novel failed, as completely as had its predecessors,
the two Irish novels, I began to ask myself whether, after all,
that was my proper line. I had never thought of questioning the
justice of the verdict expressed against me. The idea that I was
the unfortunate owner of unappreciated genius never troubled me. I
did not look at the books after they were published, feeling sure
that they had been, as it were, damned with good reason. But still
I was clear in my mind that I would not lay down my pen. Then and
therefore I determined to change my hand, and to attempt a play.
I did attempt the play, and in 1850 I wrote a comedy, partly in
blank verse, and partly in prose, called The Noble Jilt. The plot
I afterwards used in a novel called Can You Forgive Her? I believe
that I did give the best of my intellect to the play, and I must
own that when it was completed it pleased me much. I copied it,
and re-copied it, touching it here and touching it there, and then
sent it to my very old friend, George Bartley, the actor, who had
when I was in London been stage-manager of one of the great theatres,
and who would, I thought, for my own sake and for my mother's, give
me the full benefit of his professional experience.

I have now before me the letter which he wrote to me,--a letter
which I have read a score of times. It was altogether condemnatory.