Our Nervous Friends — Illustrating the Mastery of Nervousness by Robert S. Carroll
page 42 of 210 (20%)
page 42 of 210 (20%)
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appears thirty; he is thirty-six. The features are finely cut, the
chin is especially good. The eyes are blue-gray, and a slight pallor probably adds to his apparent distinction. His attitude is languid, the handling of his cane gracefully indolent, the almost habitual twisting of his chestnut-brown mustache attractively self-satisfied. His clothing is handsome, of distinctive materials, and tailored to the day. So much for an observing estimate. The critical observer would note more. He would detect a sluggishness in the responses of the pupils, as the eyes listlessly travel from face to face, producing an effect of haunting dulness. Mumbling movements of the lips, a slightly incoordinate swaying of the body, might speak for short periods of more than absent-mindedness. But the gates open and after the eager, intense meetings, and the more matter-of-fact assumption of babies and bundles, the red-capped porters, with their lucky burdens of fashionable traveling-cases, pilot or follow the sirs and mesdames of fortune. Among these is one whose handsome face is mellowed by softening, early-gray hair, and whose perfect attire and tenderness in greeting our doctor at once associate mother and son. She has just come down the Hudson on one of the few seriously difficult errands of her fifty-six years. Two weeks have passed. The room is stark bare, save for two mattresses, a heap of disheveled bed clothes, and two men. The hours are small and the dim, guarded light, intended to soften, probably intensifies the weirdness of the picture. The suspiciously plain woodwork is enameled in a dull monochrome. The windows are guarded with protecting screens. One man, an attendant, lies orderly on his pallet; the other, a slender figure in pajamas, crouches in a corner. His hair is bestraggled; his face is livid; his pupils, widely |
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