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Our Nervous Friends — Illustrating the Mastery of Nervousness by Robert S. Carroll
page 42 of 210 (20%)
appears thirty; he is thirty-six. The features are finely cut, the
chin is especially good. The eyes are blue-gray, and a slight pallor
probably adds to his apparent distinction. His attitude is languid,
the handling of his cane gracefully indolent, the almost habitual
twisting of his chestnut-brown mustache attractively self-satisfied.
His clothing is handsome, of distinctive materials, and tailored to
the day. So much for an observing estimate. The critical observer
would note more. He would detect a sluggishness in the responses of
the pupils, as the eyes listlessly travel from face to face, producing
an effect of haunting dulness. Mumbling movements of the lips, a
slightly incoordinate swaying of the body, might speak for short
periods of more than absent-mindedness.

But the gates open and after the eager, intense meetings, and the more
matter-of-fact assumption of babies and bundles, the red-capped
porters, with their lucky burdens of fashionable traveling-cases,
pilot or follow the sirs and mesdames of fortune. Among these is one
whose handsome face is mellowed by softening, early-gray hair, and
whose perfect attire and tenderness in greeting our doctor at once
associate mother and son. She has just come down the Hudson on one of
the few seriously difficult errands of her fifty-six years.

Two weeks have passed. The room is stark bare, save for two
mattresses, a heap of disheveled bed clothes, and two men. The hours
are small and the dim, guarded light, intended to soften, probably
intensifies the weirdness of the picture. The suspiciously plain
woodwork is enameled in a dull monochrome. The windows are guarded
with protecting screens. One man, an attendant, lies orderly on his
pallet; the other, a slender figure in pajamas, crouches in a corner.
His hair is bestraggled; his face is livid; his pupils, widely
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