enduing his body in a Titianesque coat, or wearing on his head
a slouched Rembrandt hat, stuck carelessly just a trifle on one
side in artistic disorder, he was habited, for all the world like
anybody else, in the grey tweed suit of the common British tourist,
surmounted by the light felt hat (or bowler), to match, of the
modern English country gentleman. Even the soft silk necktie of a
delicate aesthetic hue that adorned his open throat didn't proclaim
him at once a painter by trade. It showed him merely as a man of
taste, with a decided eye for harmonies of colour.

So when Elma pronounced her fellow-traveller immediately, in
her own mind, a landscape artist, she was exercising the familiar
feminine prerogative of jumping, as if by magic, to a correct
conclusion. It's a provoking way they have, those inscrutable women,
which no mere male human being can ever conceivably fathom.

She was just about to drop down, as propriety demands, into the corner
seat diagonally opposite to--and therefore as far as possible away
from--her handsome companion, when the stranger rose, and, with
a very flushed face, said, in a hasty, though markedly deferential
and apologetic tone--

"I beg your pardon, but--excuse me for mentioning it--I think you're
going to sit down upon--ur--pray don't be frightened--a rather
large snake of mine."

There was something so comically alarmed in the ring of his tone--as
of a naughty schoolboy detected in a piece of mischief--that,
propriety to the contrary notwithstanding, Elma couldn't for the
life of her repress a smile. She looked down at the seat where the