possessed was that he was honest as the sun. To prevaricate, even by
gesture, or by saying nothing, which is the commonest form of untruth,
was impossible to his transparent nature. He might hedge, but he could
never lie. And he was 'friend,' so far as this was possible between
employer and employed, because a pleasant relationship of years'
standing had established a bond of mutual respect under conditions of
business intimacy which often tend to destroy it.

Just now he was very important into the bargain, for he had a secret
from his wife that he meant to divulge only at the proper moment. He
had known it himself but a few hours. The leap from being secretary in
one of Henry Rogers's companies to being that prominent gentleman's
confidential private secretary was, of course, a very big one. He
hugged it secretly at first alone. On the journey back from the City
to the suburb where he lived, Minks made a sonnet on it. For his
emotions invariably sought the safety valve of verse. It was a wiser
safety valve for high spirits than horse-racing or betting on the
football results, because he always stood to win, and never to lose.
Occasionally he sold these bits of joy for half a guinea, his wife
pasting the results neatly in a big press album from which he often
read aloud on Sunday nights when the children were in bed. They were
signed 'Montmorency Minks'; and bore evidence of occasional pencil
corrections on the margin with a view to publication later in a
volume. And sometimes there were little lyrical fragments too, in a
wild, original metre, influenced by Shelley and yet entirely his own.
These had special pages to themselves at the end of the big book. But
usually he preferred the sonnet form; it was more sober, more
dignified. And just now the bumping of the Tube train shaped his
emotion into something that began with