Memoirs of My Life and Writings by Edward Gibbon
page 62 of 172 (36%)
page 62 of 172 (36%)
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months of the year 1755, as the period of the most extraordinary
diligence and rapid progress. In my French and Latin translations I adopted an excellent method, which, from my own success, I would recommend to the imitation of students. I chose some classic writer, such as Cicero and Vertot, the most approved for purity and elegance of style. I translated, for instance, an epistle of Cicero into French; and after throwing it aside, till the words and phrases were obliterated from my memory, I re-translated my French into such Latin as I could find; and then compared each sentence of my imperfect version, with the ease, the grace, the propriety of the Roman orator. A similar experiment was made on several pages of the Revolutions of Vertot; I turned them into Latin, returned them after a sufficient interval into my own French, and again scrutinized the resemblance or dissimilitude of the copy and the original. By degrees I was less ashamed, by degrees I was more satisfied with myself; and I persevered in the practice of these double translations, which filled several books, till I had acquired the knowledge or both idioms, and the command at least of a correct style. This useful exercise of writing was accompanied and succeeded by the more pleasing occupation of reading the best authors. The perusal of the Roman classics was at once my exercise and reward. Dr. Middleton's History, which I then appreciated above its true value, naturally directed the to the writings of Cicero. The most perfect editions, that of Olivet, which may adorn the shelves of the rich, that of Ernesti, which should lie on the table of the learned, were not in my power. For the familiar epistles I used the text and English commentary of Bishop Ross: but my general edition was that of Verburgius, published at Amsterdam in two large volumes in folio, with an indifferent choice of various notes. I read, with application and pleasure, all the epistles, all the |
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