'Well, you can't imagine how much I admire your songs and airs,
Mr. Berkeley. I was so pleased when you invited us, to think I was
going to lunch with a real composer. There's no music I love so
much as yours.'

'I'm very glad to hear it, Miss Oswald, I assure you. But I'm only
a beginner and a trifler yet. Some day I mean to produce something
that will be worth listening to. Only, do you remember what some
French novelist once said?--"A poet's sweetest poem is always
the one he has never been able to compose." I often think that's
true of music, too. Away up in the higher stories of one's brain
somewhere, there's a tune floating about, or rather a whole oratorio
full of them, that one can never catch and fix upon ruled paper.
The idea's there, such a beautiful and vague idea, so familiar to
one, but so utterly unrealisable on any known instrument--a sort
of musical Ariel, flitting before one and tantalising one for
ever, but never allowing one to come up with it and see its real
features. I'm always dissatisfied with what I've actually written,
and longing to crystallise into a score the imaginary airs I can
never catch. Except in this last piece of mine; that's the only
thing I've ever done that thoroughly and completely pleases me.
Come and see me next week, and I'll play it over to you.'

They walked all round the meadows, and back again beside the arches
of the beautiful bridge, and then returned to Berkeley's rooms once
more for a cup of afternoon tea, and an air or two of Berkeley's
own composing. Edie enjoyed the walk and the talk immensely; she
enjoyed the music even more. In a way, it was all so new to her.
For though she had always seen much of Harry, and though Harry, who
was the kindest and proudest of brothers, had always instinctively