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Areopagitica - A speech for the Liberty of Unlicensed Printing to the Parliament of England by John Milton
page 22 of 54 (40%)
written, until the judges and law-keepers had seen it, and allowed it.
But that Plato meant this law peculiarly to that commonwealth which
he had imagined, and to no other, is evident. Why was he not else a
lawgiver to himself, but a transgressor, and to be expelled by his own
magistrates; both for the wanton epigrams and dialogues which he made,
and his perpetual reading of Sophron Mimus and Aristophanes, books of
grossest infamy, and also for commending the latter of them, though
he were the malicious libeller of his chief friends, to be read by the
tyrant Dionysius, who had little need of such trash to spend his
time on? But that he knew this licensing of poems had reference
and dependence to many other provisos there set down in his fancied
republic, which in this world could have no place: and so neither he
himself, nor any magistrate or city, ever imitated that course, which,
taken apart from those other collateral injunctions, must needs be vain
and fruitless. For if they fell upon one kind of strictness, unless
their care were equal to regulate all other things of like aptness to
corrupt the mind, that single endeavour they knew would be but a
fond labour; to shut and fortify one gate against corruption, and be
necessitated to leave others round about wide open.

If we think to regulate printing, thereby to rectify manners, we must
regulate all recreation and pastimes, all that is delightful to man.
No music must be heard, no song be set or sung, but what is grave and
Doric. There must be licensing dancers, that no gesture, motion, or
deportment be taught our youth but what by their allowance shall be
thought honest; for such Plato was provided of. It will ask more than
the work of twenty licensers to examine all the lutes, the violins, and
the guitars in every house; they must not be suffered to prattle as they
do, but must be licensed what they may say. And who shall silence all
the airs and madrigals that whisper softness in chambers? The windows
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