Biographia Literaria by Samuel Taylor Coleridge
page 76 of 477 (15%)
page 76 of 477 (15%)
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the delicious melodies of Purcell or Cimarosa might be disjointed
stammerings to a hearer, whose partition of time should be a thousand times subtler than ours. But this obstacle too let us imagine ourselves to have surmounted, and "at one bound high overleap all bound." Yet according to this hypothesis the disquisition, to which I am at present soliciting the reader's attention, may be as truly said to be written by Saint Paul's church, as by me: for it is the mere motion of my muscles and nerves; and these again are set in motion from external causes equally passive, which external causes stand themselves in interdependent connection with every thing that exists or has existed. Thus the whole universe co-operates to produce the minutest stroke of every letter, save only that I myself, and I alone, have nothing to do with it, but merely the causeless and effectless beholding of it when it is done. Yet scarcely can it be called a beholding; for it is neither an act nor an effect; but an impossible creation of a something nothing out of its very contrary! It is the mere quick-silver plating behind a looking-glass; and in this alone consists the poor worthless I! The sum total of my moral and intellectual intercourse, dissolved into its elements, is reduced to extension, motion, degrees of velocity, and those diminished copies of configurative motion, which form what we call notions, and notions of notions. Of such philosophy well might Butler say-- The metaphysic's but a puppet motion That goes with screws, the notion of a notion; The copy of a copy and lame draught Unnaturally taken from a thought That counterfeits all pantomimic tricks, And turns the eyes, like an old crucifix; That counterchanges whatsoe'er it calls |
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