constantly; for he sails in his felucca very often to the different
islands. "

This account excited our curiosity very much, and we lost no time in
hastening to the house where out countryman had resided. We were
kindly received by an old man, who conducted us over the mansion. It
consisted of four apartments on the ground-floor---an entrance hall, a
drawing-room, a sitting parlour, and a bed-room, with a spacious
closet annexed. They were all simply decorated: plain green-stained
walls, marble tables on either side, a large myrtle in the centre, and
a small fountain beneath, which could be made to play through the
branches by moving a spring fixed in the side of a small bronze Venus
in a leaning posture; a large couch or sofa completed the furniture.
In the hall stood half a dozen English cane chairs, and an empty
book-case: there were no mirrors, nor a single painting. The
bedchamber had merely a large mattress spread on the floor, with two
stuffed cotton quilts and a pillow---the common bed throughout Greece.
In the sitting-room we observed a marble recess, formerly, the old man
told us, filled with books and papers, which were then in a large
seaman's chest in the closet: it was open, but we did not think
ourselves justified in examining the contents. On the tablet of the
recess lay Voltaire's, Shakspeare's, Boileau's, and Rousseau's works
complete; Volney's Ruins of Empires; Zimmerman, in the German
language; Klopstock's Messiah; Kotzebue's novels; Schiller's play of
the Robbers; Milton's Paradise Lost, an Italian edition, printed at
Parma in 1810; several small pamphlets from the Greek press at
Constantinople, much torn, but no English book of any description.
Most of these books were filled with marginal notes, written with a
pencil, in Italian and Latin. The Messiah was literally scribbled all
over, and marked with slips of paper, on which also were remarks.