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Across the Plains by Robert Louis Stevenson
page 20 of 196 (10%)
I have it rightly, is called his caboose. The class to which I
belonged was of course far the largest, and we ran over, so to
speak, to both sides; so that there were some Caucasians among the
Chinamen, and some bachelors among the families. But our own car
was pure from admixture, save for one little boy of eight or nine
who had the whooping-cough. At last, about six, the long train
crawled out of the Transfer Station and across the wide Missouri
river to Omaha, westward bound.

It was a troubled uncomfortable evening in the cars. There was
thunder in the air, which helped to keep us restless. A man played
many airs upon the cornet, and none of them were much attended to,
until he came to "Home, sweet home." It was truly strange to note
how the talk ceased at that, and the faces began to lengthen. I
have no idea whether musically this air is to be considered good or
bad; but it belongs to that class of art which may be best
described as a brutal assault upon the feelings. Pathos must be
relieved by dignity of treatment. If you wallow naked in the
pathetic, like the author of "Home, sweet home," you make your
hearers weep in an unmanly fashion; and even while yet they are
moved, they despise themselves and hate the occasion of their
weakness. It did not come to tears that night, for the experiment
was interrupted. An elderly, hard-looking man, with a goatee beard
and about as much appearance of sentiment an you would expect from
a retired slaver, turned with a start and bade the performer stop
that "damned thing." "I've heard about enough of that," he added;
"give us something about the good country we're going to." A
murmur of adhesion ran round the car; the performer took the
instrument from his lips, laughed and nodded, and then struck into
a dancing measure; and, like a new Timotheus, stilled immediately
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