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Narrative and Miscellaneous Papers — Volume 1 by Thomas De Quincey
page 22 of 234 (09%)
retained the unaffected expression of her childlike nature; and so
lovely in my eyes was this perfect exhibition of natural feminine
character, that she rarely or never went out alone upon any little
errand to town which might require her to rely upon her own good sense
and courage, that she did not previously come to exhibit herself before
me. Partly this was desired by me in that lover-like feeling of
admiration already explained, which leads one to court the sight of a
beloved object under every change of dress, and under all effects of
novelty. Partly it was the interest I took in that exhibition of sweet
timidity, and almost childish apprehensiveness, half disguised or
imperfectly acknowledged by herself, which (in the way I have just
explained) so touchingly contrasted with (and for that very reason so
touchingly drew forth) her matronly character. But I hear some objector
say at this point, ought not this very timidity, founded (as in part at
least it was) upon inexperience and conscious inability to face the
dangers of the world, to have suggested reasons for not leaving her to
her own protection? And does it not argue, on my part, an arrogant or
too blind a confidence in the durability of my happiness, as though
charmed against assaults, and liable to no shocks of sudden revolution?
I reply that, from the very constitution of society, and the tone of
manners in the city which we inhabited, there seemed to be a moral
impossibility that any dangers of consequence should meet her in the
course of those brief absences from my protection, which only were
possible; that even to herself any dangers, of a nature to be
anticipated under the known circumstances of the case, seemed almost
imaginary; that even _she_ acknowledged a propriety in being
trained, by slight and brief separations from my guardianship, to face
more boldly those cases of longer separation and of more absolute
consignment to her own resources which circumstances might arise to
create necessarily, and perhaps abruptly. And it is evident that, had
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