reader; positively this is the sum-total of what I can recall from the
wreck of years; and certainly it is not much. Even of Sappho, though
time has made mere ducks and drakes of her lyrics, we have rather more
spared to us than this. And yet this trifle, simple as you think it,
this shred of a fragment, if the reader will believe me, still echoes
with luxurious sweetness in my ears, from some unaccountable hide-and-
seek of fugitive childish memories; just as a marine shell, if applied
steadily to the ear, awakens (according to the fine image of Landor
[Footnote: 'Of Landor,' viz., in his 'Gebir;' but also of Wordsworth in
'The Excursion.' And I must tell the reader, that a contest raged at
one time as to the _original property_ in this image, not much
less keen than that between Neptune and Minerva, for the chancellorship
of Athens.]) the great vision of the sea; places the listener

'In the sun's palace-porch,
And murmurs as the ocean murmurs there.'

Now, on some moonless night, in some fitting condition of the
atmosphere, if Lord Rosse would permit the reader and myself to walk
into the front drawing-room of his telescope, then, in Mrs. Barbauld's
words, slightly varied, I might say to him,--Come, and I will show you
what is sublime! In fact, what I am going to lay before him, from Dr.
Nichol's work, is, or at least _would_ be, (when translated into
Hebrew grandeur by the mighty telescope,) a step above even that object
which some four-and-twenty years ago in the British Museum struck me as
simply the sublimest sight which in this sight-seeing world I had seen.
It was the Memnon's head, then recently brought from Egypt. I looked at
it, as the reader must suppose, in order to understand the depth which
I have here ascribed to the impression, not as a human but as a
symbolic head; and what it symbolized to me were: 1. The peace which