Narrative and Miscellaneous Papers — Volume 2 by Thomas De Quincey
page 39 of 249 (15%)
page 39 of 249 (15%)
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but it is right to mention, that the sublime turn at the end belongs
entirely to John Paul. 'God called up from dreams a man into the vestibule of heaven, saying, --"Come thou hither, and see the glory of my house." And to the servants that stood around his throne he said,--"Take him, and undress him from his robes of flesh: cleanse his vision, and put a new breath into his nostrils: only touch not with any change his human heart--the heart that weeps and trembles." It was done; and, with a mighty angel for his guide, the man stood ready for his infinite voyage; and from the terraces of heaven, without sound or farewell, at once they wheeled away into endless space. Sometimes with the solemn flight of angel wing they fled through Zaarrahs of darkness, through wildernesses of death, that divided the worlds of life: sometimes they swept over frontiers, that were quickening under prophetic motions from God. Then, from a distance that is counted only in heaven, light dawned for a time through a sleepy film: by unutterable pace the light swept to _them_, they by unutterable pace to the light: in a moment the rushing of planets was upon them: in a moment the blazing of suns was around them. Then came eternities of twilight, that revealed, but were not revealed. To the right hand and to the left towered mighty constellations, that by self-repetitions and answers from afar, that by counter-positions, built up triumphal gates, whose architraves, whose archways--horizontal, upright--rested, rose--at altitudes, by spans-- that seemed ghostly from infinitude. Without measure were the architraves, past number were the archways, beyond memory the gates. Within were stairs that scaled the eternities above, that descended to the eternities below: above was below, below was above, to the man stripped of gravitating body: depth was swallowed up in height insurmountable, height was swallowed up in depth unfathomable. Suddenly |
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