Narrative and Miscellaneous Papers — Volume 2 by Thomas De Quincey
page 89 of 249 (35%)
page 89 of 249 (35%)
![]() | ![]() |
|
and with too large a substratum of the real, the impassioned, the
human, for our present purposes. We deal chiefly with the wilder and more aerial forms of superstition; not so far off from fleshly nature as the purely allegoric--not so near as the penal, the purgatorial, the penitential. In this middle class, 'Gabriel's hounds'--the 'phantom ship'--the gloomy legends of the charcoal burners in the German forests--and the local or epichorial superstitions from every district of Europe, come forward by thousands, attesting the high activity of the miraculous and the hyperphysical instincts, even in this generation, wheresoever the voice of the people makes itself heard. But in Pagan times, it will be objected, the popular superstitions blended themselves with the highest political functions, gave a sanction to national counsels, and oftentimes gave their starting point to the very primary movements of the state. Prophecies, omens, miracles, all worked concurrently with senates or princes. Whereas in our days, says Charles Lamb, the witch who takes her pleasure with the moon, and summons Beelzebub to her sabbaths, nevertheless trembles before the beadle, and hides herself from the overseer. Now, as to the witch, even the horrid Canidia of Horace, or the more dreadful Erichtho of Lucan, seems hardly to have been much respected in any era. But for the other modes of the supernatural, they have entered into more frequent combinations with state functions and state movements in our modern ages than in the classical age of Paganism. Look at prophecies, for example: the Romans had a few obscure oracles afloat, and they had the Sibylline books under the state seal. These books, in fact, had been kept so long, that, like port wine superannuated, they had lost their flavor and body. [Footnote: '_Like port wine superannuated, the Sibylline books had lost their flavor and their body_.'--There is an allegoric description in verse, by Mr. Rogers, of an ice-house, in |
|