[341], to a command, as one of the ten generals in the Samian war; but
history is silent as to his military genius [342]. In later life we
shall again have occasion to refer to him, condemned as he was to
illustrate (after a career of unprecedented brilliancy--nor ever
subjected to the caprice of the common public) the melancholy moral
inculcated by himself [343], and so often obtruded upon us by the
dramatists of his country, "never to deem a man happy till death
itself denies the hazard of reverses." Out of the vast, though not
accurately known, number of the dramas of Sophocles, seven remain.

III. A great error has been committed by those who class Aeschylus
and Sophocles together as belonging to the same era, and refer both to
the age of Pericles, because each was living while Pericles was in
power. We may as well class Dr. Johnson and Lord Byron in the same
age, because both lived in the reign of George III. The Athenian
rivals were formed under the influences of very different generations;
and if Aeschylus lived through a considerable portion of the career of
the younger Sophocles, the accident of longevity by no means warrants
us to consider then the children of the same age--the creatures of the
same influences. Aeschylus belonged to the race and the period from
which emerged Themistocles and Aristides--Sophocles to those which
produced Phidias and Pericles. Sophocles indeed, in the calmness of
his disposition, and the symmetry and stateliness of his genius, might
almost be entitled the Pericles of poetry. And as the statesman was
called the Olympian, not from the headlong vehemence, but the serene
majesty of his strength; so of Sophocles also it may be said, that his
power is visible in his repose, and his thunders roll from the depth
of a clear sky.

IV. The age of Pericles is the age of art [344]. It was not