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Memorials and Other Papers — Volume 1 by Thomas De Quincey
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only because the amateurs had so much insisted on his merit as the
supreme of artists for grandeur of design and breadth of style; and
because, apart from this momentary connection with my paper, the man
himself merited a record for his matchless audacity, combined with so
much of snaky subtlety, and even insinuating amiableness, in his
demeanor; but also because, apart from the man himself, the works of
the man (those two of them especially which so profoundly impressed the
nation in 1812) were in themselves, for dramatic effect, the most
impressive on record. Southey pronounced their preeminence when he said
to me that they ranked amongst the few domestic events which, by the
depth and the expansion of horror attending them, had risen to the
dignity of a _national_ interest. I may add that this interest
benefited also by the mystery which invested the murders; mystery as to
various points but especially as respected one important question, Had
the murderer any accomplice? [Footnote: Upon a large overbalance of
probabilities, it was, however, definitively agreed amongst amateurs
that Williams must have been alone in these atrocities. Meantime,
amongst the colorable presumptions on the other side was this:--Some
hours after the last murder, a man was apprehended at Barnet (the first
stage from London on a principal north road), encumbered with a
quantity of plate. How he came by it, or whither he was going, he
steadfastly refused to say. In the daily journals, which he was allowed
to see, he read with eagerness the police examinations of Williams; and
on the same day which announced the catastrophe of Williams, he also
committed suicide in his cell.] There was, therefore, reason enough,
both in the man's hellish character, and in the mystery which
surrounded him, for a Postscript [Footnote: Published in the "Note
Book."] to the original paper; since, in a lapse of forty-two years,
both the man and his deeds had faded away from the knowledge of the
present generation; but still I am sensible that my record is far too
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