wondered why it was that he did not loathe her. Somehow, even in her
shame, she compelled a kind of admiration and awe. She was the wreck of
splendid possibilities. A poisonous vitality possessed her, but through
it glowed a daring and a candour that belonged to her before she became
wicked, and that now half redeemed her in the eyes of this man, who knew
the worst of her. Even in her sin she was loyal to the scoundrel for
whom she had sacrificed two lives, her own and another's. Her brow might
flush with shame of the mad deed that turned her life awry, and of the
degradation of her present surroundings; but her eyes looked straight
into those of Shorland without wavering, with the pride of strength if
not of goodness.

"Yes, there is one thing more," she said. "Give me that portrait to
keep--until the 25th. Then you may take it--from the woman in the
Morgue."

Shorland thought for a moment. She had spoken just now without sneering,
without bravado, without hardness. He felt that behind this woman's
outward cruelty and varying moods there was something working that
perhaps might be trusted, something in Luke's interest. He was certain
that this portrait had moved her deeply. Had she come to that period of
reaction in evil when there is an agonised desire to turn back towards
the good? He gave the portrait to her.




IV

Sitting in Alencon Barre's room an hour later, Shorland told him in