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The Lane That Had No Turning, Volume 1 by Gilbert Parker
page 6 of 94 (06%)
I think the book has harmony, although the first story in it covers
eighty-two pages, while some of the others, like 'The Marriage of the
Miller', are less than four pages in length. At the end also there are
nine fantasies or stories which I called 'Parables of Provinces'. All of
these, I think, possessed the spirit of French Canada, though all are
more or less mystical in nature. They have nothing of the simple realism
of 'The Tragic Comedy of Annette', and the earlier series. These nine
stories could not be called popular, and they were the only stories I
have ever written which did not have an immediate welcome from the
editors to whom they were sent. In the United States I offered them to
'Harper's Magazine', but the editor, Henry M. Alden, while, as I know,
caring for them personally, still hesitated to publish them. He thought
them too symbolic for the every-day reader. He had been offered four of
them at once because I declined to dispose of them separately, though the
editor of another magazine was willing to publish two of them. Messrs.
Stone & Kimball, however, who had plenty of fearlessness where literature
was concerned, immediately bought the series for The Chap Book, long
since dead, and they were published in that wonderful little short-lived
magazine, which contained some things of permanent value to literature.
They published four of the series, namely: 'The Golden Pipes, The
Guardian of the Fire, By that Place Called Peradventure, The Singing of
the Bees, and The Tent of the Purple Mat'. In England, because I would
not separate the first five, and publish them individually, two or three
of the editors who were taking the Pierre series and other stories
appearing in this volume would not publish them. They, also, were
frightened by the mystery and allusiveness of the tales, and had an
apprehension that they would not be popular.

Perhaps they were right. They were all fantasies, but I do not wish them
other than they are. One has to write according to the impulse that
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