Essays of Travel by Robert Louis Stevenson
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page 17 of 222 (07%)
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takes an extreme and even melancholy view of personal deportment.
A fifth-form schoolboy is not more careful of dignity. He dares not be comical; his fun must escape from him unprepared, and above all, it must be unaccompanied by any physical demonstration. I like his society under most circumstances, but let me never again join with him in public gambols. But the impulse to sing was strong, and triumphed over modesty and even the inclemencies of sea and sky. On this rough Saturday night, we got together by the main deck-house, in a place sheltered from the wind and rain. Some clinging to a ladder which led to the hurricane deck, and the rest knitting arms or taking hands, we made a ring to support the women in the violent lurching of the ship; and when we were thus disposed, sang to our hearts' content. Some of the songs were appropriate to the scene; others strikingly the reverse. Bastard doggrel of the music-hall, such as, 'Around her splendid form, I weaved the magic circle,' sounded bald, bleak, and pitifully silly. 'We don't want to fight, but, by Jingo, if we do,' was in some measure saved by the vigour and unanimity with which the chorus was thrown forth into the night. I observed a Platt-Deutsch mason, entirely innocent of English, adding heartily to the general effect. And perhaps the German mason is but a fair example of the sincerity with which the song was rendered; for nearly all with whom I conversed upon the subject were bitterly opposed to war, and attributed their own misfortunes, and frequently their own taste for whisky, to the campaigns in Zululand and Afghanistan. Every now and again, however, some song that touched the pathos of our situation was given forth; and you could hear by the voices |
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