Manitou had from the first divergent views. Lebanon was English,
progressive, and brazenly modern; Manitou was slow, reactionary, more or
less indifferent to education, and strenuously Catholic, and was thus
opposed to the militant Protestantism of Lebanon.

It was my idea to picture a situation in the big new West where destiny
is being worked out in the making of a nation and the peopling of the
wastes. I selected a very modern and unusual type of man as the central
figure of my story. He was highly educated, well born, and carefully
brought up. He possessed all the best elements of a young man in a new
country--intelligent self-dependence, skill, daring, vision. He had an
original turn of mind, and, as men are obliged to do in new countries,
he looked far ahead. Yet he had to face what pioneers and reformers in
old countries have to face, namely the disturbance of rooted interests.
Certainly rooted interests in towns but a generation old cannot be
extensive or remarkable, but if they are associated with habits and
principles, they may be as deadly as those which test the qualities and
wreck the careers of men in towns as old as London. The difference,
however, between the old European town and the new Western town is that
differences in the Western town are more likely to take physical form,
as was the case in the life of Ingolby. In order to accentuate the
primitive and yet highly civilized nature of the life I chose my heroine
from a race and condition more unsettled and more primitive than that of
Lebanon or Manitou at any time. I chose a heroine from the gipsy race,
and to heighten the picture of the primitive life from which she had come
I made her a convert to the settled life of civilization. I had known
such a woman, older, but with the same characteristics, the same
struggles, temptations, and suffering the same restriction of her life
and movements by the prejudice in her veins--the prejudice of racial
predilection.