Denzil's head was squat upon his shoulders, and his long, handsome body
was also squat, because his legs were as short, proportionately, as his
mind was long. His face was covered by a well-cared-for beard of dark
brown, streaked with grey; his features were rugged and fine; and his
eyes were like two coals burning under a gnarled headland; for his
forehead, ample and full, had lines which were not lines of age, but of
concentration. In his motions he was quiet and free, yet always there
was a kind of stealthiness in his movements, which made him seem less
frank than he really was.

For a time, with salient sympathy in his eyes, he watched the two
children playing. The whisking of their forms among the trees and over
the rocks was fine, gracious, and full of life-life without alarm. At
length he saw the girl falter slightly, then make a swift deceptive
movement to avoid the boy who pursued her. The movement did not delude
the boy. He had quickness of anticipation. An instant later the girl
was in his arms.

As Denzil gazed, it seemed she was in his arms too long, and a sudden
anxiety took hold of him. That anxiety was deepened when he saw the boy
kiss the girl on the cheek. This act seemed to discompose the girl, but
not enough to make drama out of an innocent, yet sensuous thing. The boy
had meant nothing more than he had shown, and Denzil traced the act to a
native sense of luxury in his nature. Knowing the boy's father and
mother as he did, it seemed strange that Carnac should have such
demonstration in his character. Of all the women he knew, Carnac's
mother was the most exact and careful, though now and again he thought
of her as being shrouded, or apart; while the boy's father, the great
lumber-king, cantankerous, passionate, perspicuous, seemed to have but
one passion, and that was his business.