yet insincere he was; how gifted and yet how ungracious was his mind.
Her youth was over; long pain and regret had chastened her. She was as
lonely a creature as ever the world knew; violence was no part of her
equipment; and yet terrible memories made her assent to this new phase of
Carnac's life. She wondered what Barouche would think. There was some
ancient touch of war in her which made her rejoice that after long years
the hammer should strike.

Somehow the thing's tremendous possibilities thrilled her. Carnac had
always been a politician--always. She remembered how, when he was a boy,
he had argued with John Grier on national matters, laid down the law with
the assurance of an undergraduate, and invented theories impossible of
public acceptance. Yet in every stand he had taken, there had been
thought, logic and reasoning, wrongly premised, but always based on
principles. On paper he was generally right; in practice, generally
wrong. His buoyant devotion to an idea was an inspiration and a tonic.
The curious thing was that, while still this political matter was hanging
fire, he painted with elation.

His mother knew he did not see the thousand little things which made
public life so wearying; that he only realized the big elements of
national policy. She understood how those big things would inspire the
artist in him. For, after all, there was the spirit of Art in framing a
great policy which would benefit millions in the present and countless
millions in the future. So, at the railway station, as they waited for
the train, with an agitation outwardly controlled, she said:

"The men who have fought before, will want to stand, so don't be
surprised if--"