Little Journeys to the Homes of the Great - Volume 06 - Little Journeys to the Homes of Eminent Artists by Elbert Hubbard
page 47 of 267 (17%)
page 47 of 267 (17%)
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they continued grinding dried corn in the kernel, they had good
teeth. Dentists were not required until men began to feed on mush. Botticelli had broad, strong, square jaws, wide nostrils, full lips, large eyes set wide apart, forehead rather low and sloping, and a columnar neck that rose right out of his spine. A man with such a neck can "stand punishment"--and give it. Such a neck is only seen once in a thousand times. Men with such necks have been mothered by women who bore burdens balanced on their heads, boycotted the corsetier, and eschewed all deadly French heels. Do you know the face of Oliver Goldsmith, the droop of the head, the receding chin and the bulging forehead? Well, Botticelli's face was the antithesis of this. Most of the truly great artists have been men of this Stone Age-- quality men who dared. Michelangelo was the pure type: Titian who lived a century (lacking one year) was another. Leonardo was the same fine savage (who in some miraculous way also possessed the grace of a courtier). Franz Hals, Van Dyck, Rembrandt and Botticelli were all men of fierce appetites and heroic physiques. They had animality plus that would have carried them across the century-mark, had they not drawn checks on futurity, in a belief that their bank- balance was unlimited. Botticelli and Rembrandt kept step in their history, both receiving instant recognition in early life and becoming rich. Then fashion and society turned against them--the tide of popularity began to ebb. One reinforced his genius with strong drink, and the other became intoxicated with religious enthusiasm. Finally, both begged |
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