Why should I vapor and play the philosopher, instead of ballasting,
the best I can, this dancing balloon? So, at least, I live within
compass, keep myself ready for action, and can shoot the gulf, at last,
with decency. If there be anything farcical in such a life, the blame
is not mine; let it lie at fate's and nature's door."

The Essays, therefore, are an entertaining soliloquy on every random
topic that comes into his head; treating everything without ceremony,
yet with masculine sense. There have been men with deeper insight;
but, one would say, never a man with such abundance of thoughts; he
is never dull, never insincere, and has the genius to make the reader
care for all that he cares for.

The sincerity and marrow of the man reaches to his sentences. I know
not anywhere the book that seems less written. It is the language of
conversation transferred to a book. Cut these words, and they would
bleed; they are vascular and alive. One has the same pleasure in it
that we have in listening to the necessary speech of men about their
work, when any unusual circumstance give momentary importance to the
dialogue. For blacksmiths and teamsters do not trip in their speech;
it is a shower of bullets. It is Cambridge men who correct themselves,
and begin again at every half-sentence, and, moreover, will pun, and
refine too much, and swerve from the matter to the expression. Montaigne
talks with shrewdness, knows the world, and books, and himself, and
uses the positive degree; never shrieks, or protests, or prays; no
weakness, no convulsion, no superlative; does not wish to jump out of
his skin, or play any antics, or annihilate space or time; but is stout
and solid; tastes every moment of the day; likes pain, because it makes
him feel himself, and realize things; as we pinch ourselves to know
that we are awake. He keeps the plain; he rarely mounts or sinks; likes