Dead_ and _of the Gods, Menippus_ and _Icaromenippus, Zeus
cross-examined;_ of the third, _Timon, Charon, A Voyage to the lower
World, The Sale of Creeds, The Fisher, Zeus Tragoedus, The Cock, The
double Indictment, The Ship_.

During these ten or more years, though he lived at Athens, he is to be
imagined travelling occasionally, to read his dialogues to audiences
in various cities, or to see the Olympic Games. And these excursions
gave occasion to some works not of the dialogue kind; the _Zeuxis_ and
several similar pieces are introductions to series of readings away
from Athens; The _Way to write History_, a piece of literary criticism
still very readable, if out of date for practical purposes, resulted
from a visit to Ionia, where all the literary men were producing
histories of the Parthian war, then in progress (165 A.D.). An
attendance at the Olympic Games of 169 A.D. suggested _The Death of
Peregrine_, which in its turn, through the offence given to Cynics,
had to be supplemented by the dialogue of _The Runaways. The True
History_, most famous, but, admirable as it is, far from best of his
works, presumably belongs to this period also, but cannot be
definitely placed. The _Book-fancier_ and _The Rhetorician's Vade
mecum_ are unpleasant records of bitter personal quarrels.

After some ten years of this intense literary activity, producing,
reading, and publishing, Lucian seems to have given up both the
writing of dialogues and the presenting of them to audiences, and to
have lived quietly for many years. The only pieces that belong here
are the _Life of Demonax_, the man whom he held the best of all
philosophers, and with whom he had been long intimate at Athens, and
that of Alexander, the Asiatic charlatan, who was the prince of
impostors as Demonax of philosophers. When quite old, Lucian was