awful dangers besetting the writer who would revive an obsolete
fashion of speech is shown in the _Lexiphanes_.

Some faults of style he undoubtedly has, of which a word or two should
perhaps be said. The first is the general taint of rhetoric, which is
sometimes positively intolerable, and is liable to spoil enjoyment
even of the best pieces occasionally. Were it not that 'Rhetoric made
a Greek of me,' we should wish heartily that he had never been a
rhetorician. It is the practice of talking on unreal cases, doubtless
habitual with him up to forty, that must be responsible for the self-
satisfied fluency, the too great length, and the perverse ingenuity,
that sometimes excite our impatience. Naturally, it is in the pieces
of inferior subject or design that this taint is most perceptible; and
it must be forgiven in consideration of the fact that without the
toilsome study of rhetoric he would not have been the master of Greek
that he was.

The second is perhaps only a special case of the first. Julius Pollux,
a sophist whom Lucian is supposed to have attacked in _The
Rhetorician's Vade mecum_, is best known as author of an
_Onomasticon_, or word-list, containing the most important words
relating to certain subjects. One would be reluctant to believe that
Lucian condescended to use his enemy's manual; but it is hard to think
that he had not one of his own, of which he made much too good use.
The conviction is constantly forced on a translator that when Lucian
has said a thing sufficiently once, he has looked at his Onomasticon,
found that there are some words he has not yet got in, and forthwith
said the thing again with some of them, and yet again with the rest.

The third concerns his use of illustrative anecdotes, comparisons, and