arguments you mention, and of others too. I might have said, that mine
would be no set speech, no orderly statement such as that I heard;
that is wholly beyond me. Nor can I speak in the person of Nigrinus.
There again I should be like a bad actor, taking the part of
Agamemnon, or Creon, or Heracles' self; he is arrayed in cloth of
gold, and looks very formidable, and his mouth opens tremendously
wide; and what comes out of it? A little, shrill, womanish pipe of a
voice that would disgrace Polyxena or Hecuba! I for my part have no
intention of exposing myself in a mask several sizes too large for me,
or of wearing a robe to which I cannot do credit. Rather than play the
hero's part, and involve him in my discomfiture, I will speak in my
own person.

_Fr_. Will the man never have done with his masks and his stages?

_Luc_. Nay, that is all. And now to my subject. Nigrinus's first words
were in praise of Greece, and in particular of the Athenians. They are
brought up, he said, to poverty and to philosophy. The endeavours,
whether of foreigners or of their own countrymen, to introduce luxury
into their midst, find no favour with them. When a man comes among
them with this view, they quietly set about to correct his tendency,
and by gentle degrees to bring him to a better course of life. He
mentioned the case of a wealthy man who arrived at Athens in all the
vulgar pomp of retinue and gold and gorgeous raiment, expecting that
every eye would be turned upon him in envy of his lot; instead of
which, they heartily pitied the poor worm, and proceeded to take his
education in hand. Not an ill-natured word, not an attempt at direct
interference: it was a free city; he was at liberty to live in it as
he thought fit. But when he made a public nuisance of himself in the
baths or gymnasiums, crowding in with his attendants, and taking up