Public Speaking by Irvah Lester Winter
page 60 of 429 (13%)
page 60 of 429 (13%)
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The selections in the several sections for platform practice are to be
used for applying, in appropriate combination, the principles heretofore worked out, one by one. The first group provides practice in the more formal style. The occasion of the formal address requires, in large degree, restraint and dignity. The thought is elevated; the mood serious, in some cases subdued, the form of expression exact and firm. The delivery should correspond. The tone should be, in some degree, ennobled; the movement deliberate, and comparatively even and measured; the modulation not marked by striking variations in pitch; the pauses rather regular, and the gesture always sparing, perhaps wholly omitted. The voice should be generally pure and fine; the enunciation should be finished and true. Whatever action there may be should be restrained, well poised, deliberate, with some degree of grace. In general it should be felt that carelessness or looseness or aggressiveness or undue demonstrativeness would be out of harmony with the spirit of the occasion. Good taste must be exercised at every step, and the audience should be addressed, from the outset, as in sympathy with the speaker and ready at once to approve. The spirit and manner of contention is out of place. In this style of discourse the liability to failure lies in the direction of dullness, monotony, lack of vitality and warmth. This is because the feeling is deep and still; is an undercurrent, strong but unseen. This restrained, repressed feeling is the most difficult fittingly to express. In this kind of speech some marring of just the right effect is difficult to avoid. Simplicity, absolute genuineness, are the essential qualities. The ideas must be conveyed with power and significance, in due degree; but nothing too much is particularly the watchword regarding the outward features of the work. |
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