The Principles of Aesthetics by Dewitt H. Parker
page 45 of 330 (13%)
page 45 of 330 (13%)
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demand each other and constitute a whole. Organization _is_
understanding. Every work of art, every beautiful thing, is organized, and, as we have observed, organized not merely in the thought or other meaning expressed, but throughout, in the sensuous medium as well. So far the value which we have discovered in artistic expression has been that of delightful and orderly sympathetic vision. This is supplemented from still another source of value. Through artistic expression pent-up emotions find a welcome release. No matter how poignant be the experience expressed, the weight, the sting of it disappears through expression. For through expression, as we have seen, the experience is drawn from the dark depths of the self to the clear and orderly surface of the work of art; the emotions that weighed are lifted out and up into color and line and sound, where the mind can view and master them. Mere life gives place to the contemplation of life; and contemplation imposes on life some of the calm that is its own. The most violent and unruly passions may be the material of art, but once they are put into artistic form they are mastered and refined. "There is an art of passion, but no passionate art" (Schiller). Through expression, the repression, the obstruction of feeling is broken down; the mere effort to find and elaborate a fitting artistic form for the material diverts the attention and provides other occupation for the mind; an opportunity is given to reflect upon and understand the experience, bringing it somehow into harmony with one's total life,--through all these means procuring relief. It is impossible to cite the famous passage from Goethe's "Poetry and Truth" too often:-- And thus began that bent of mind from which I could not deviate my whole life through; namely, that of turning into an image, into a poem, everything that delighted or troubled |
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