regarded as poems of a peculiar nature, into which the author has happily
transfused, in elegant versification, the native manners and ideas,
without any mixture of the rusticity of pastoral life. With respect to
the fourth eclogue, addressed to Pollio, it is avowedly of a nature
superior to that of pastoral subjects:

Sicelides Musae, paullo majora canamus.
Sicilian Muse, be ours a loftier strain.

Virgil engaged in bucolic poetry at the request of Asinius Pollio, whom
he highly esteemed, and for one of whose sons in particular, (167) with
Cornelius Gallus, a poet likewise, he entertained the warmest affection.
He has celebrated them all in these poems, which were begun, we are told,
in the twenty-ninth year of his age, and completed in three years. They
were held in so great esteem amongst the Romans, immediately after their
publication, that it is said they were frequently recited upon the stage
for the entertainment of the audience. Cicero, upon hearing some lines
of them, perceived that they were written in no common strain of poetry,
and desired that the whole eclogue might be recited: which being done, he
exclaimed, "Magnae spes altera Romae." Another hope of mighty Rome!
[273]

Virgil's next work was the Georgics, the idea of which is taken from the
Erga kai Hmerai, the Works and Days of Hesiod, the poet of Ascra. But
between the productions of the two poets, there is no other similarity
than that of their common subject. The precepts of Hesiod, in respect of
agriculture, are delivered with all the simplicity of an unlettered
cultivator of the fields, intermixed with plain moral reflections,
natural and apposite; while those of Virgil, equally precise and
important, are embellished with all the dignity of sublime versification.