on the 21st of March, in the consulship of Hirtius and Pansa. His father
intended him for the bar; and after passing him through the usual course
of instruction at Rome, he was sent to Athens, the emporium of learning,
to complete his education. On his return to Rome, in obedience to the
desire of his father, he entered upon the offices of public life in the
forum, and declaimed with great applause. But this was the effect of
paternal authority, not of choice: for, from his earliest years, he
discovered an extreme attachment to poetry; and no sooner was his father
dead, than, renouncing the bar, he devoted himself entirely to the
cultivation of that fascinating art, his propensity to which was
invincible. His productions, all written either in heroic or pentameter
verse, are numerous, and on various subjects. It will be sufficient to
mention them briefly.

(178) The Heroides consist of twenty-one Epistles, all which, except
three, are feigned to be written from celebrated women of antiquity, to
their husbands or lovers, such as Penelope to Ulysses, Dido to Aeneas,
Sappho to Phaon, etc. These compositions are nervous, animated and
elegant: they discover a high degree of poetic enthusiasm, but blended
with that lascivious turn of thought, which pervades all the amorous
productions of this celebrated author.

The elegies on subjects of love, particularly the Ars Amandi, or Ars
Amatoria, though not all uniform in versification, possess the same
general character, of warmth of passion, and luscious description, as the
epistles.

The Fasti were divided into twelve books, of which only the first six now
remain. The design of them was to deliver an account of the Roman
festivals in every month of the year, with a description of the rites and