LIII. With regard to the liberal sciences, he was little conversant in
philology, but applied himself with assiduity to the study of eloquence,
being indeed in point of enunciation tolerably elegant and ready; and in
his perorations, when he was moved to anger, there was an abundant flow
of words and periods. In speaking, his action was vehement, and his
voice so strong, that he was heard at a great distance. When winding up
an harangue, he threatened to draw "the sword of his lucubration,"
holding a loose and smooth style in such contempt, that he said Seneca,
who was then much admired, "wrote only detached essays," and that "his
language was nothing but sand without lime." He often wrote answers to
the speeches of successful orators; and employed himself in composing
accusations or vindications of eminent persons, who were impeached before
the senate; and gave his vote for or against the party accused, according
to his success in speaking, inviting the equestrian order, by
proclamation, to hear him.

LIV. He also zealously applied himself to the practice of several other
arts of different kinds, such as fencing, charioteering, singing, and
dancing. In the first of these, he practised with the weapons used in
war; and drove the chariot in circuses built in several places. He was
so extremely fond of singing and dancing, that he could not refrain in
the theatre from singing with the tragedians, and imitating the gestures
of the actors, either by way of applause or correction. A night
exhibition which he had ordered the day he was slain, was thought to be
intended for no other reason, than to take the opportunity afforded by
the licentiousness of the season, to make his first appearance upon the
stage. Sometimes, also, (288) he danced in the night. Summoning once to
the Palatium, in the second watch of the night [458], three men of
consular rank, who feared the words from the message, he placed them on
the proscenium of the stage, and then suddenly came bursting out, with a