experiment in the gardens, amidst crowds of slaves and other rabble, he
at length performed in the view of all the people, in the Circus Maximus,
whilst one of his freedmen dropped the napkin in the place where the
magistrates used to give the signal. Not satisfied with exhibiting
various specimens of his skill in those arts at Rome, he went over to
Achaia, as has been already said, principally for this purpose. The
several cities, in which solemn trials of musical skill used to be
publicly held, had resolved to send him the crowns belonging to those who
bore away the prize. These he accepted so graciously, that he not only
gave the deputies who brought them an immediate audience, but even
invited them to his table. Being requested by some of them to sing at
supper, and prodigiously applauded, he said, "the Greeks were the only
people who has an ear for music, and were the only good judges of him and
his attainments." Without delay he commenced his journey, and on his
arrival at Cassiope [587], (352) exhibited his first musical performance
before the altar of Jupiter Cassius.

XXIII. He afterwards appeared at the celebration of all public games in
Greece: for such as fell in different years, he brought within the
compass of one, and some he ordered to be celebrated a second time in the
same year. At Olympia, likewise, contrary to custom, he appointed a
public performance in music: and that he might meet with no interruption
in this employment, when he was informed by his freedman Helius, that
affairs at Rome required his presence, he wrote to him in these words:
"Though now all your hopes and wishes are for my speedy return, yet you
ought rather to advise and hope that I may come back with a character
worthy of Nero." During the time of his musical performance, nobody was
allowed to stir out of the theatre upon any account, however necessary;
insomuch, that it is said some women with child were delivered there.
Many of the spectators being quite wearied with hearing and applauding