History of American Literature by Reuben Post Halleck
page 87 of 431 (20%)
page 87 of 431 (20%)
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_Wieland_ is considered the strongest of Brown's Gothic romances, but it
does not use as distinctively American materials as his three other stories of this type, _Ormond_, _Arthur Mervyn_, or _Memoirs of the Year 1793_, and _Edgar Huntly_. The results of his own experience with the yellow fever plague in Philadelphia give an American touch to _Ormond_ and _Arthur Mervyn_, and at the same time add the Gothic element of weirdness and horror. _Arthur Mervyn_ is far the better of the two. _Edgar Huntly, or Memoirs of a Sleep Walker_, shows a Gothic characteristic in its very title. This book is noteworthy in the evolution of American fiction, not because of the strange actions of the sleep walker, but for the reason that Brown here deliberately determines, as he states in his prefatory note _To the Public_ to give the romance an American flavor, by using "the incidents of Indian hostility and the perils of the Western wilderness." If we assume that John Smith's story of Pocahontas is not fiction, then to Brown belongs the honor of first recognizing in the Indian a valuable literary asset from the Gothic romancer's point of view. In Chapter XVI., he reverses Captain Smith's story and has Edgar Huntly rescue a young girl from torture and kill an Indian. In the next two chapters, the hero kills four Indians. The English recognized this introduction of a new element of strangeness added to terror and gave Brown the credit of developing an "Americanized" Gothic. He disclosed to future writers of fiction, like James Fenimore Cooper (p. 125), a new mine of American materials. This romance has a second distinguishing characteristic, for Brown surpassed contemporary British novelists in taking his readers into the open air, which forms the stage setting for the adventures of _Edgar Huntly_. The hero of that story loves to observe the birds, the squirrels, and the old Indian woman "plucking the weeds from among her corn, bruising the grain between two stones, and setting her snares for rabbits and opossums." He takes us where we can feel the exhilaration from "a wild |
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