Mysteries of Paris, V3 by Eugène Sue
page 63 of 592 (10%)
page 63 of 592 (10%)
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upper stories are used as immense sleeping apartments, ten or twelve feet
in height, with shining floors; they are furnished with two rows of iron bedsteads, excellent beds, composed of a soft thick mattress, a bolster, sheets of white linen, and a warm woolen covering. At the sight of these accommodations, uniting all the requisites of comfort and salubrity, a stranger is much surprised, accustomed as he is to suppose all prisons as sorrowful, dirty, unhealthy, and gloomy. He is mistaken. Sad, dirty, and gloomy are the holes where so many poor and honest workmen languish exhausted, forced to abandon their beds to their infirm wives, and to leave with powerless despair their half-starving, naked children, struggling with the cold, in the infectious straw. There is some contrast between the physiognomies of the inhabitants of these two dwellings. Incessantly occupied with the wants of his family, to whom the day is hardly long enough, seeing a mad perversity reducing his salary, the artisan will be cast down and worn out; the hour of repose will not be sound to him; a kind of sleep like lassitude alone interrupts his daily toil. Then, on awaking from this mournful drowsiness, he will find himself overwhelmed with the same racking thoughts of the present, with the same inquietudes for the morrow. But if, hardened by vice, indifferent to the past, happy with the present, certain of the future (he can assure himself of it by an offense or crime), regretting his liberty without doubt, but finding large compensation in the personal well-being he enjoys, certain to carry away with him on his release a good sum of money, gained by moderate and easy labor, esteemed, or, may be, feared by his companions, either for his impudence or perversity, the convict, on the contrary, will be almost always careless |
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