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Mysteries of Paris, V3 by Eugène Sue
page 63 of 592 (10%)
upper stories are used as immense sleeping apartments, ten or twelve feet
in height, with shining floors; they are furnished with two rows of iron
bedsteads, excellent beds, composed of a soft thick mattress, a bolster,
sheets of white linen, and a warm woolen covering.

At the sight of these accommodations, uniting all the requisites of comfort
and salubrity, a stranger is much surprised, accustomed as he is to suppose
all prisons as sorrowful, dirty, unhealthy, and gloomy. He is mistaken.

Sad, dirty, and gloomy are the holes where so many poor and honest workmen
languish exhausted, forced to abandon their beds to their infirm wives, and
to leave with powerless despair their half-starving, naked children,
struggling with the cold, in the infectious straw.

There is some contrast between the physiognomies of the inhabitants of
these two dwellings. Incessantly occupied with the wants of his family, to
whom the day is hardly long enough, seeing a mad perversity reducing his
salary, the artisan will be cast down and worn out; the hour of repose will
not be sound to him; a kind of sleep like lassitude alone interrupts his
daily toil. Then, on awaking from this mournful drowsiness, he will find
himself overwhelmed with the same racking thoughts of the present, with the
same inquietudes for the morrow.

But if, hardened by vice, indifferent to the past, happy with the present,
certain of the future (he can assure himself of it by an offense or crime),
regretting his liberty without doubt, but finding large compensation in the
personal well-being he enjoys, certain to carry away with him on his
release a good sum of money, gained by moderate and easy labor, esteemed,
or, may be, feared by his companions, either for his impudence or
perversity, the convict, on the contrary, will be almost always careless
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