Ministers.


In the Hall of the St. George's Society of Philadelphia there is a very
interesting picture by the late Mr. Sully of Queen Victoria in her
coronation robes. It is life-size, and represents her as mounting the
steps of the throne, her head slightly turned, and looking back over the
left shoulder. It seems to me that Her Majesty should own this picture,
for it is an exquisite specimen of Mr. Sully's peculiar coloring, and a
very lovely portrait. Here is no rigidity, no constraint, no irksome
state. There is a springy, exultant vitality in the bearing of the
graceful figure, and the light poise of the head, while in the complexion
there is a tender softness and a freshness of tints belonging only to the
dewy morning of life. The princeliness of youth, the glow of joy and hope
overtop and outshine the crown which she wears as lightly as though it
were a May-queen's Coronal of roses; and the dignity of simple girlish
purity envelops her more royally than velvet and ermine. The eyes have
the softness of morning skies and spring violets, and the smile hovering
about the red lips, a little parted, is that of an unworn heart and an
eager, confident spirit. This was the first portrait of the young Queen I
ever saw, and still seems to me the loveliest.

Another American artist, Mr. Leslie, painted a large picture of the
coronation, which Her Majesty purchased. As he was to paint the scene, he
was provided with a very good seat near the throne--so near that he said
he could plainly see, when she came to sign her coronation oath, that she
wrote a large, bold hand, doing credit to her old writing master, Mr.
Steward.

In his recollections he says: "I don't know why, but the first sight of