Biographies of Working Men by Grant Allen
page 31 of 142 (21%)
page 31 of 142 (21%)
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on which the boy made the journey every day from Killingworth to
Newcastle. This was in 1815, when George was thirty-four, and Robert twelve. Perhaps no man who ever climbed so high as George Stephenson, had ever reached so little of the way at so comparatively late an age. For in spite of his undoubted success, viewed from the point of view of his origin and early prospects, he was as yet after all nothing more than the common engine-wright of the Killingworth collieries--a long way off as yet from the distinguished father of the railway system. George Stephenson's connection with the locomotive, however, was even now beginning. Already, in 1816, he and his boy had tried a somewhat higher flight of mechanical and scientific skill than usual, in the construction of a sun-dial, which involves a considerable amount of careful mathematical work; and now George found that the subject of locomotive engines was being forced by circumstances upon his attention. From the moment he was appointed engine-wright of the Killingworth collieries, he began to think about all possible means of hauling coal at cheaper rates from the pit's mouth to the shipping place on the river. For that humble object alone--an object that lay wholly within the line of his own special business--did the great railway projector set out upon his investigations into the possibilities of the locomotive. Indeed, in its earliest origin, the locomotive was almost entirely connected with coals and mining; its application to passenger traffic on the large scale was quite a later and secondary consideration. It was only by accident, so to speak, that the true capabilities of railways were finally discovered in the actual course of their practical employment. George Stephenson was not the first person to construct either a locomotive or a tramway. Both were already in use, in more or less rude forms, at several collieries. But he _was_ the first person to bring the two to such a pitch of perfection, that what |
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