Mediaeval Lore from Bartholomew Anglicus by Robert Steele
page 42 of 144 (29%)
page 42 of 144 (29%)
|
giving us information of this kind; but it would be impossible to do
more than allude to them. Leaving our reader to notice them as they are met with, the description of a mediaeval dinner concludes the chapter. The chapter describing a supper which follows it in the original is too long for quotation, and is vitiated by a desire to draw analogies. But one feature is noteworthy: Among the properties of a good supper, "the ninth is plenty of light of candles, and of prickets, and of torches. For it is shame to sup in darkness, and perillous also for flies and other filth. Therefore candles and prickets are set on candlesticks and chandeliers, lanterns and lamps are necessary to burn." This little touch gives us the reverse of the picture, and reminds us of the Knight of the Tower's caution to his daughters about their behaviour at a feast. SUCH children be nesh of flesh, lithe and pliant of body, able and light to moving, witty to learn. And lead their lives without thought and care. And set their courages only of mirth and liking, and dread no perils more than beating with a rod: and they love an apple more than gold. When they be praised, or shamed, or blamed, they set little thereby. Through stirring and moving of the heat of the flesh and of humours, they be lightly and soon wroth, and soon pleased, and lightly they forgive. And for tenderness of body they be soon hurt and grieved, and may not well endure hard travail. Since all children be tatched with evil manners, and think only on things that be, and reck not of things that shall be, they love plays, game, and vanity, and forsake winning and profit. And things most worthy they repute least worthy, and least worthy most worthy. They desire things that be to them contrary and grievous, and set more of the image of a child, than of the image of a man, and make more sorrow and woe, and weep more for the loss of an apple, than for the loss of their heritage. And the |
|