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Pictures from Italy by Charles Dickens
page 18 of 240 (07%)
the charm of elegant models; their excessive whiteness, as
contrasted with the brown rocks, or the sombre, deep, dull, heavy
green of the olive-tree; and the puny size, and little slow walk of
the Lilliputian men and women on the bank; made a charming picture.
There were ferries out of number, too; bridges; the famous Pont
d'Esprit, with I don't know how many arches; towns where memorable
wines are made; Vallence, where Napoleon studied; and the noble
river, bringing at every winding turn, new beauties into view.

There lay before us, that same afternoon, the broken bridge of
Avignon, and all the city baking in the sun; yet with an under-
done-pie-crust, battlemented wall, that never will be brown, though
it bake for centuries.

The grapes were hanging in clusters in the streets, and the
brilliant Oleander was in full bloom everywhere. The streets are
old and very narrow, but tolerably clean, and shaded by awnings
stretched from house to house. Bright stuffs and handkerchiefs,
curiosities, ancient frames of carved wood, old chairs, ghostly
tables, saints, virgins, angels, and staring daubs of portraits,
being exposed for sale beneath, it was very quaint and lively. All
this was much set off, too, by the glimpses one caught, through a
rusty gate standing ajar, of quiet sleepy court-yards, having
stately old houses within, as silent as tombs. It was all very
like one of the descriptions in the Arabian Nights. The three one-
eyed Calenders might have knocked at any one of those doors till
the street rang again, and the porter who persisted in asking
questions--the man who had the delicious purchases put into his
basket in the morning--might have opened it quite naturally.

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