Songs of Kabir by Rabindranath Tagore
page 10 of 87 (11%)
page 10 of 87 (11%)
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Kabîr belongs to that small group of supreme mystics--amongst whom St. Augustine, Ruysbroeck, and the Sûfî poet Jalâlu'ddîn Rûmî are perhaps the chief--who have achieved that which we might call the synthetic vision of God. These have resolved the perpetual opposition between the personal and impersonal, the transcendent and immanent, static and dynamic aspects of the Divine Nature; between the Absolute of philosophy and the "sure true Friend" of devotional religion. They have done this, not by taking these apparently incompatible concepts one after the other; but by ascending to a height of spiritual intuition at which they are, as Ruysbroeck said, "melted and merged in the Unity," and perceived as the completing opposites of a perfect Whole. This proceeding entails for them--and both Kabîr and Ruysbroeck expressly acknowledge it--a universe of three orders: Becoming, Being, and that which is "More than Being," i.e., God. [Footnote: Nos. VII and XLIX.] God is here felt to be not the final abstraction, but the one actuality. He inspires, supports, indeed inhabits, both the durational, conditioned, finite world of Becoming and the unconditioned, non-successional, infinite world of Being; yet utterly transcends them both. He is the omnipresent Reality, the "All-pervading" within Whom "the worlds are being told like beads." In His personal aspect He is the "beloved Fakir," teaching and companioning each soul. Considered as Immanent Spirit, He is "the Mind within the mind." But all these are at best partial aspects of His nature, mutually corrective: as the Persons in the Christian doctrine of the Trinity--to which this theological diagram bears a striking resemblance--represent different and compensating experiences of the Divine Unity within which they are resumed. As Ruysbroeck |
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