preaching the form of an ardent personal devotion to the God
Vishnu, as representing the personal aspect of the Divine Nature:
that mystical "religion of love" which everywhere makes its
appearance at a certain level of spiritual culture, and which
creeds and philosophies are powerless to kill.

Though such a devotion is indigenous in Hinduism, and finds
expression in many passages of the Bhagavad Gîtâ, there was in
its mediæval revival a large element of syncretism. Râmânanda,
through whom its spirit is said to have reached Kabîr, appears to
have been a man of wide religious culture, and full of missionary
enthusiasm. Living at the moment in which the impassioned poetry
and deep philosophy of the great Persian mystics, Attâr, Sâdî,
Jalâlu'ddîn Rûmî, and Hâfiz, were exercising a powerful influence
on the religious thought of India, he dreamed of reconciling this
intense and personal Mohammedan mysticism with the traditional
theology of Brâhmanism. Some have regarded both these great
religious leaders as influenced also by Christian thought and
life: but as this is a point upon which competent authorities
hold widely divergent views, its discussion is not attempted here.
We may safely assert, however, that in their teachings, two--
perhaps three--apparently antagonistic streams of intense
spiritual culture met, as Jewish and Hellenistic thought met in
the early Christian Church: and it is one of the outstanding
characteristics of Kabîr's genius that he was able in his poems
to fuse them into one.

A great religious reformer, the founder of a sect to which nearly
a million northern Hindus still belong, it is yet supremely as a
mystical poet that Kabîr lives for us. His fate has been that of