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Life and Letters of Robert Browning by Mrs. Sutherland Orr;Robert Browning
page 110 of 401 (27%)
himself, Phelps, was unable to do so. He added that he could not expect
me to waive such an advantage,--but that, if I were prepared to waive
it, 'he would take ether, sit up all night, and have the words in his
memory by next day.' I bade him follow me to the green-room, and hear
what I decided upon--which was that as Macready had given him the part,
he should keep it: this was on a Thursday; he rehearsed on Friday and
Saturday,--the play being acted the same evening,--_of the fifth day
after the 'reading' by MacReady_. Macready at once wished to reduce the
importance of the 'play',--as he styled it in the bills,--tried to leave
out so much of the text, that I baffled him by getting it printed in
four-and-twenty hours, by Moxon's assistance. He wanted me to call it
'The Sister'!--and I have before me, while I write, the stage-acting
copy, with two lines of his own insertion to avoid the tragical
ending--Tresham was to announce his intention of going into a monastery!
all this, to keep up the belief that Macready, and Macready alone, could
produce a veritable 'tragedy', unproduced before. Not a shilling was
spent on scenery or dresses--and a striking scene which had been used
for the 'Patrician's Daughter', did duty a second time. If your critic
considers this treatment of the play an instance of 'the failure of
powerful and experienced actors' to ensure its success,--I can only say
that my own opinion was shown by at once breaking off a friendship of
many years--a friendship which had a right to be plainly and simply told
that the play I had contributed as a proof of it, would through a change
of circumstances, no longer be to my friend's advantage,--all I could
possibly care for. Only recently, when by the publication of Macready's
journals the extent of his pecuniary embarrassments at that time
was made known, could I in a measure understand his motives for such
conduct--and less than ever understand why he so strangely disguised and
disfigured them. If 'applause' means success, the play thus maimed
and maltreated was successful enough: it 'made way' for Macready's own
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