'. . . I am beginning to be anxious about 'Colombe's Birthday'. I care
much more about it than Robert does. He says that no one will mistake it
for his speculation; it's Mr. Buckstone's affair altogether. True--but I
should like it to succeed, being Robert's play, notwithstanding. But the
play is subtle and refined for pits and galleries. I am nervous about
it. On the other hand, those theatrical people ought to know,--and what
in the world made them select it, if it is not likely to answer their
purpose? By the way, a dreadful rumour reaches us of its having been
"prepared for the stage by the author." Don't believe a word of it.
Robert just said "yes" when they wrote to ask him, and not a line
of communication has passed since. He has prepared nothing at all,
suggested nothing, modified nothing. He referred them to his new
edition, and that was the whole. . . .'


She communicates the result in May:


'. . . Yes, Robert's play succeeded, but there could be no "run" for a
play of that kind. It was a "succes d'estime" and something more, which
is surprising perhaps, considering the miserable acting of the men. Miss
Faucit was alone in doing us justice. . . .'


Mrs. Browning did see 'Miss Faucit' on her next visit to England. She
agreeably surprised that lady by presenting herself alone, one morning,
at her house, and remaining with her for an hour and a half. The only
person who had 'done justice' to 'Colombe' besides contributing to
whatever success her husband's earlier plays had obtained, was much more