is considered by some persons very good.

At about this time also, and probably through Miss Haworth, he became
acquainted with Miss Martineau.

Soon after his introduction to Macready, if not before, Mr. Browning
became busy with the thought of writing for the stage. The diary has
this entry for February 16, 1836:


'Forster and Browning called, and talked over the plot of a tragedy,
which Browning had begun to think of: the subject, Narses. He said that
I had _bit_ him by my performance of Othello, and I told him I hoped I
should make the blood come. It would indeed be some recompense for the
miseries, the humiliations, the heart-sickening disgusts which I have
endured in my profession, if, by its exercise, I had awakened a spirit
of poetry whose influence would elevate, ennoble, and adorn our degraded
drama. May it be!'


But Narses was abandoned, and the more serious inspiration and more
definite motive were to come later. They connect themselves with one
of the pleasant social occurrences which must have lived in the young
poet's memory. On May 26 'Ion' had been performed for the first time and
with great success, Mr. Macready sustaining the principal part; and the
great actor and a number of their common friends had met at supper at
Serjeant Talfourd's house to celebrate the occasion. The party included
Wordsworth and Landor, both of whom Mr. Browning then met for the first
time. Toasts flew right and left. Mr. Browning's health was proposed
by Serjeant Talfourd as that of the youngest poet of England, and