Theresa Raquin by Émile Zola
page 105 of 253 (41%)
page 105 of 253 (41%)
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enjoy. He would leave his office, he would paint for amusement, and
saunter about hither and thither. These hopes brought him night after night, to the shop in the arcade, in spite of the vague discomfort he experienced on entering the place. One Sunday, with nothing to do and being bored, he went to see his old school friend, the young painter he had lived with for a time. The artist was working on a picture of a nude Bacchante sprawled on some drapery. The model, lying with her head thrown back and her torso twisted sometimes laughed and threw her bosom forward, stretching her arms. As Laurent smoked his pipe and chatted with his friend, he kept his eyes on the model. He took the woman home with him that evening and kept her as his mistress for many months. The poor girl fell in love with him. Every morning she went off and posed as a model all day. Then she came back each evening. She didn't cost Laurent a penny, keeping herself out of her own earnings. Laurent never bothered to find out about her, where she went, what she did. She was a steadying influence in his life, a useful and necessary thing. He never wondered if he loved her and he never considered that he was being unfaithful to Therese. He simply felt better and happier. In the meanwhile the period of mourning that Therese had imposed on herself, had come to an end, and the young woman put on light-coloured gowns. One evening, Laurent found her looking younger and handsomer. But he still felt uncomfortable in her presence. For some time past, she seemed to him feverish, and full of strange capriciousness, laughing and turning sad without reason. This unsettled demeanour alarmed him, for he guessed, in part, what her struggles and troubles must be like. He began to hesitate, having an atrocious dread of risking his |
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