The Sculpture and Mural Decorations of the Exposition - A Pictorial Survey of the Art of the Panama-Pacific international exposition by Stella George Stern Perry
page 19 of 93 (20%)
page 19 of 93 (20%)
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mounted upon cavorting marine monsters and surrounded by the smaller
waters, fearlessly playing, head-downwards, upon dolphins about to dive. The Atlantic Ocean faces East; the Pacific, West; the North and South Seas their appropriate quarters. The symbolic figures are designed to interpret the spirit of the oceans they represent - the Atlantic, fine and bright, upon her armored sword-fish; the Pacific, a beautiful, graceful, happily brooding Oriental; the North Sea, finned and glistening, strange and eerie; the South Sea, savage and tempestuous, blowing a fitful blast. The lesser waters have a lighter quality. The hair of the sea-spirits suggests seaweed and coral. From the mouths of of the sea-chargers jets of water rise to meet the nimbus and rainbows of the semi-spherical downpour of the main fountain. Mermaid Fountain Festival Hall, South Gardens Long, quiet mirror pools flank the great Fountain of Energy, giving balance and calm to the entrance plaza, or South Gardens. They are oblong in shape with the farther ends curving into a graceful convex. The pools are surrounded by formal flowerbeds planted to correspond to the beds surrounding the central fountain, thus giving continuity to the whole. These beds are enclosed by a decorative fence which follows the outline of the pools; the entering paths, emphasized at the outer ends by flower urns, at the inner by sculptural light standards. The curved ends of the pools are marked by Arthur Putnam's beautiful |
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